Showing posts with label Battlestar Galactica. Show all posts
Showing posts with label Battlestar Galactica. Show all posts

Wednesday, March 25, 2009

The Passion of Mr. Gaeta

Like so many gay nerds, I devotedly watched the last season of Battlestar Galactica. Let me tell you, as a queer boy, I feel cheated. No, I am not just complaining that Apollo didn’t have another towel scene (Although . . .). Nor am I complaining about the fairly predictable ending (The Galactica crew, more or less, are the progenitors of our contemporary world who settled on earth 150,000 years ago – Gee, did they just phone it in?).

Instead, I am less-than-impressed by the show’s consistent ineptness around queer sexuality. For the record, I don’t count Baltar’s pajama-less pillow fights with the female “three” and “six” as queer. I think of that as soft-core hetero porn.

BSG apologists might stop reading now. Tune in next time at CoG when we will be discussing how to combat black mold and soap scum with grace and dignity.



For those whose first association with Battlestar Galactica still involves the soft, shiny, feathered hair of Dirk Benedict, allow me to update you. The “reimagined” Battlestar Galactica (BSG to its friends, Mr. Galactica, if you're nasty) has actually been a critical and commercial success. During its four seasons on the air, it did not fear treading into contemporary political quagmires like abortion, the Iraq war, or religious zealotry. The topic that was just too hot to handle, however, was queer sexuality (If I am really honest, BSG also had an uneven hand around questions of race, even with its racially diverse cast (including a Chicano lead!) – but that is different entry).



Way back in 2006, the gay fans asked Ron Moore, the executive producer of BSG, why such a savvy and thoughtful show totally ignored queer sex and sexuality. “It's a fair question,” he responded at the time, “I think homosexuality definitely exists in the world of Galactica, but I frankly haven't found a way to portray it yet. It's a texture that I'd like to introduce into the series without doing ‘the gay episode.’”

Yeah, because the last thing that you would want to do is create a sensationalized queer character for a one-off story line. I mean, it’s not like you would give us a maniacal lesbian incarnation of Captain Bly, would you? Surely, BSG would treat queer sexuality as part of daily life and not add a queer character just so that she could be immediately killed off by her ex-lover, right?



Oh, except that was exactly BSG’s decision. Yes, in response to gay people’s complaints that we weren’t represented in the BSG universe, they handed us the psycho-killer-lesbian-from-outer-space miniseries two years ago. In that train wreck, lesbian Admiral Cain (who unknowingly had an affair with a cylon) was the antithesis to the gruff, but kindly, hetero patriarch of the show, Commander Adama. If Adama was reasonable, Cain was psychotic. If Adama sought humanity's survival, Cain lived for revenge. If Adama balanced his military power with the civil government, Cain wanted a tyrannical dictatorship. In the end, the lesbian had to go -- Shot no less by the former cylon lover who she was torturing for information. As I recall, we were not amused.

This last season, BSG decided to up the ante by outing (Well, "sort of" outing – More on that in a minute) the long-suspected queer character Lt. Felix Gaeta. Yes, he was [sort of] out of the closet just in time for him to be executed for treason. So, when BSG did acquiesce by giving us queer characters, those characters always had to die, die, die. And who says that science fiction is hostile to queer people?

If the apologists are still reading (and, really, I implore you to stop), they are probably saying, “But, GayProf, you just don’t get it. See, it’s an alternate universe where sexuality doesn’t matter and our narrow identity labels don’t apply. The BSG crew has fluidity in their sexuality. They are beyond our hangups around sexuality.”



Nice try – If it didn’t matter in the BSG universe, then why didn’t we see men hooking up with other men week after week? Why weren’t women pilots taking time out of their busy day for a little womanly love? If sexuality was so fluid in this fictional universe, then why were none (o) of the main human characters ever in bed with somebody of the same sex?

Now, it’s true that I’ve never been trapped on a doomed space voyage for years on end; however, I imagine that sexual experimentation probably would help pass the time. Goddess knows that we saw every possible combination of hetero sex on the show.

And that brings us to the “sort of” outing of Mr. Gaeta. How do we know that Gaeta was queer? Well, you would have to have watched the special “webisodes” entitled “Face of the Enemy” for that information. Wait – Are you not part of the 1.4 percent of the viewing public who bothers watching webisodes of their favorite shows? Oh, gee, then you wouldn’t really know he was queer. For never once, not at all, did the actual televised show make any direct reference to his sexuality – Ever. In fact, “Face of the Enemy” was filmed long after production on BSG had ended – Leaving open the question about whether the cast was even aware there was a queer story line.



So, what did we learn from the webisodes? Well, Mr. Gaeta was having a relationship with the male Lt. Louis Hoshi. He also had a previous relationship with a female cylon “eight” who used information from him to execute scores of innocent humans. If one were inclined, one could suggest an argument about this representation as anti-bisexual (Though I am content to leave it as anti-queer). Gaeta, while an idealist, always ended up on the wrong side of every issue (And, let me point out again, he was shot -- for treason (Oh, and did I mention that he had already been shot once before and lost a leg? And some people say that sci-fi encourages queer bashing.))

BSG Apologist: “Aren’t you forgetting Lt. Hoshi, Gaeta’s lover? I mean, he got to be Admiral of the fleet! How do you account for that, GayProf?”



Oh, no, I haven’t forgotten Lt. Hoshi, though everybody who isn’t queer probably has. I am certain that the number one question on everybody’s mind when he was made Admiral was, “Who is that guy?” I won’t linger over the fact that he resigned the admiral position, claiming that he was much happier to be a lieutenant who took orders rather than gave them (Way to empower queer people with authority!). What I will note is that nothing on the televised show would have given the regular viewer any knowledge about Hoshi’s sexuality. In fact, did Hoshi even have more that twenty lines of dialog in the entire four seasons BSG was on the air?

I have started to think that there is a new way that purveyors of popular culture are dealing with queer discontent. Queer activists and regular gay viewers are becoming more adamant that our favorite programs acknowledge our existence. Yet, producers of sci-fi just aren’t that interested in rocking the [hetero] boat. To quote Ron Moore, this time discussing his queerless Star Trek days, “The truth is that it was not really a priority for any of us on the staff.” Hey, you can’t get more honest than that.

It isn't their priority, but they can't avoid queer demands entirely, so they have created the “open secret” approach to sexuality. Rather than include queer characters as full equals with their hetero peers, we are given side characters whose queer sexuality is only “unofficial” or known in the “expanded lore.” We can see this, for instance, in Harry Potter’s Dumbledore. The most powerful wizard in those books was only vaguely hinted at being queer when he had a deep friendship with another wizard (Who turned out to be a psychopathic killer – ahem). Yet, none of the books say anything explicitly about Dumbledore’s desires for a same-sex romantic relationship (Unlike the hetero characters, who almost all end up happily partnered). The only way we “know” Dumbledore’s sexuality is through J. K. Rowling’s later claim that she intended for him to be gay all along. Apparently it slipped her mind to include that little tidbit in the actual text.



We can see a similar pattern in ScFi’s other highly ranked show Eureka. The producers like to claim that Eureka represents a type of utopia where race, gender, and sexuality just don’t matter. For a town where such things don’t matter, apparently there is only one gay man to be found. Vincent, the town’s chef, is popularly discussed as gay, but (to my knowledge) never explicitly so in the show beyond slight hints. Certainly, he never is in a relationship. It’s just another “open secret” where his sexuality is known, but never needs to be explored on screen. And, of course, he is the most minor character in the cast. In fact, I couldn't even find a picture of him to include here. So, here is Apollo naked instead. I think it is an ad for mink coats or something:



Popular media has consented to allowing queer characters to exist, but only if their sexuality never has to be seen as equivalent to the hetero characters' relationships. If we are quiet and closeted, in other words, we are just fine. If you are a pushy queer, like that bossy Cain woman, expect the worst.

This is a pretty half-assed approach to queer liberation. Covert representations of queer characters are better than no representation at all, I suppose. The problem with such “open secrets,” though, is that they reenforce the closet more than they tear it down. To find out about these queer characters’ sexualities, one has to do more sleuthing than Angela Lansbury. Queer sexuality becomes information only for those “in the know.” Keeping that information out of the canonical representations implicitly upholds the notion that queer sexuality is something that needs to be guarded against lest that it scare the horses or offend the general public. Eve Sedgewick reminded us many years ago that closetedness is a performance “by the speech act of silence.” Well, BSG’s silence around queer Gaeta and Hoshi’s sexuality was deafening. Apparently in space, nobody hears you come out.

In what seems like a desperate bid to keep the queers watching, Ron Moore has now promised that there will be gay characters on his new show Caprica. This time he really, really means it. Maybe he does, but I'm not holding my breath.

Throughout BSG, we never saw any actual romantic intimacy between the male characters. To my mind, it’s still a sad day when television has no problem showing a robot disembowel a human or the near heterosexual rape of a young woman, but can’t stomach showing two men kiss each other out of affection.

Monday, December 03, 2007

Psycho Killer Lesbians from Outer Space

I have made little secret that I throughly enjoy SciFi Channel’s reincarnation of Battlestar Galactica (BSG). To my mind, the writing on the show has provided the most savvy political and social critiques to appear in television science fiction in decades.

Well, okay, mostly I just watch for dreamy Jamie Bamber and Tahmoh Penikett to take their shirts off. The social and political critiques are just gravy.

Imagine my dismay over the very queer-unfriendly BSG miniseries Razor. Not only did Bamber stay fully clothed (Again, why do they think I am watching the show?), but the story fell into some of the most cliched stereotypes of lesbians known in pop culture. Even before I sat down to watch it, I knew things weren’t going to go quite right. AfterEllen revealed the lesbian sub-sub-plot the day before Razor aired. The AfterEllen folk, knowing that the producers probably didn't mean harm, tried to be generous with their reading of the show. Fortunately, my gravitas doesn't leave me with any similar inclination.

Without going into a lot of the details, the basic premise of BSG involves the almost total genocide of humanity by a group of robots (cylons). The cylons, for inexplicable reasons, appear both in a shiny metal form and in a covert-human-looking form. The covert human cylons spy on the actual humans, often with sexy results.



All that remains of actual humans are a scattering of civilian spaceships and a couple of military ships. For much of the show, though, the two military ships were unaware of the other’s existence. The titular Battlestar Galactica was commanded by Lee Adama (played by the scenery-chewing Edward James Olmos). Adama leads the battleship and a fleet of aging civilian ships (including the President’s ship) on a mission to find a peaceful future on earth.

The other military ship, the Pegasus, appeared unexpectedly in season two. As a narrative strategy, Pegasus served as the darker alternative to Galactica. Whereas Galactica focused on survival and preserving humanity, Pegasus waged a merciless campaign of guerrilla warfare.

The original story arc about the Pegasus revealed that the commander of the ship, Admiral Cain (played by the underrated Michelle Forbes), became cruel and blood thirsty. Unlike the sure and steady Adama, Cain’s command style made her as lovable as Captain Bligh. Before meeting up with Galactica, Cain shot her second-in-command for questioning her orders, forced civilians into military service aboard her ship, and threatened to kill the families of humans who resisted her orders. A cylon, whose torture Cain authorized, ultimately murdered the Admiral.


Fans apparently responded to the notion of an anti-Galactica and Cain’s character had some interest. As a result, SciFi and the BSG producers decided to film a miniseries that would tell Cain’s full story and fill in the exposition of her collapse into revenge. This is where things went kinda wrong.

One of the “surprise twists” of that miniseries was that Cain had a lesbian affair with the cylon spy on board her ship. Cain's decision to torture her (and seemingly her slip into nuttyville) resulted from the betrayal of this lesbian relationship. Yeah, we are back to old stereotypes about killer lesbians from outer space whose love affair leads them to kill, kill, KILL!

Battlestar producers (and ardent fans) have defended the decision to make Cain’s insanity at least partially related to this relationship is a claim that “sexuality doesn’t matter in the Battlestar universe -- Nobody thinks twice about being gay or straight.” They argue that Cain’s relationship to the cylon was the same as the heterosexual relationship between the male-character Baltar and a female cylon.

Those claims would be a lot more convincing if we had seen any other explicitly queer characters on Battlestar before Cain. Likewise, it is Baltar who rescues the tortured cylon from the deranged Cain. Seemingly the straight can have complicated responses to their betrayal. Lesbians just want blood.

It’s not that I need every queer character or relationship to be represented as perfect. One of the problems with claiming that “sexuality doesn’t matter,” though, is that it rarely means that queer characters get a fair shake. On the contrary, while Battlestar has been preoccupied with every possible variety of heterosexual relationship, queers have been totally absent. Making the sociopath Cain into the only explicitly human queer figure only plays into some pretty tired stereotypes.

Really, it has been a tough year for lesbians in science fiction. The British-import Torchwood also could not resist an episode about killer lesbians from outer space. In one episode, an evil alien seduces one of the main (and usually straight-identified) female characters. The lesbian alien then encourages her to betray her friends and possibly destroy the earth. Queer sexuality was imagined as both inhuman and dangerous.

To my mind, though, what distinguishes Battlestar and Torchwood’s killer-lesbians-from-outer space is that the latter has also had positive images of queer characters. Indeed, the central hero of the show considers himself “omnisexual” and frequently mentions relationships with both men and women. Meanwhile, Battlestar’s producers have only delivered empty promises of better (read “any”) representation for queers on their show.

Perhaps what also makes Battlestar’s claims that “sexuality doesn’t matter” suspect is that the miniseries itself named sexuality as the key difference between Cain and Adama. Why did Cain go wrong? The wise Adama authoritatively tells the audience that it was because she lacked the same [heterosexual] relationship that he had with the [heterosexual female] president and because she lacked children. He explained to his (all-too-shirt-wearing) son:

    Now, you don't have any children, so you might not understand this, but you see yourself reflected in their eyes. And there are some things that I've thought of doing, with this fleet, but I stopped myself because I knew that I'd have to face you the following day.


Apparently since Cain was a barren husk of a woman, she was more than willing to do cruel and unusual things that the good patriarch Adama wouldn’t possibly consider. Without the cure-all of biological offspring, the show tells us, Cain lost her humanity and turned into a bitter, bitter killing machine.



I am not impressed with the notion that sexuality is only irrelevant when discussing queer characters, but critically important to the formation of hetero characters’ motivations. Producers might claim that sexuality is no big deal in the BSG universe, but it still clearly matters here at home.