Tuesday, July 10, 2012

Collegial is as Collegial Does

A few weeks ago, Dr. Crazy had a post about collegiality in academic departments. She suggested some pretty basic notions about how one should behave in such an environment. To crudely summarize, she suggests that collegiality involves no more than simply doing your job at its most basic level: teach, research, and serve to the best of one’s abilities as outlined in your contract.

I tend to agree with that assessment. Nonetheless, it strikes me that such a straightforward mandate still confuses many professors. So, allow me to provide a simple set of guidelines to help you gauge whether you are an ideal colleague or the professor everybody wishes would just die. Think about which of the following most closely resembles what you might say in these situations.

When it comes time to decide the course schedule for next semester:

    Best: “I am willing to teach a mix of upper level and service-oriented courses. While I certainly have preferences about scheduling, I am willing to negotiated with my colleagues to insure that we have a wide distribution of classes throughout the day.”

    Fair: “I have several courses that I teach over and over. They serve some basic requirements of the department.”

    Bad: “I will only teach classes between the hours of nine and noon. Teaching a survey class is clearly beneath my intellectual talents. Besides, I have a political obligation to offer an incredibly narrow graduate course that only appeals to two students every year.”

    Evil: “My class enrollment is by instructor permission only. That way I can make sure that only hot, fit students ever sign up. No fatties!”

When I take the last cup of coffee from the break room:

    Best: “I always make a fresh pot of coffee for the next person.”

    Fair: “I be sure to shut off the burner so that the whole office doesn’t fill with the smell of scorched coffee.”

    Bad: “I demand the secretary make a new pot of coffee.”

    Evil: “Coffee? I replaced all that with Postum© years ago.”

When it comes to time for committee assignments to be made, I think:

    Best: “Nobody likes service, but it is a necessary part of keeping any university operating. I will roll up my sleeves and serve on committees when needed.”

    Good: “If I really care about a particular issue, I am willing to serve on a committee or two.”

    Bad: “Gee, I would serve on some committees, but I think that my decision to have children means that I can neglect my basic duties for which I am paid. Selfish childless people can pick up my slack. After all, what else do they have to do with their empty lives?”

    Evil: “I see every committee assignment as a stepping stone to be dean one day.”

My thinking about new hires is usually along the lines of:

    Best: “I consider it a basic part of my job to advocate vigorously for new positions based on my particular intellectual training. Nonetheless, I also recognize that a diverse set of perspectives and coverage is required for a really solid academic department. Therefore, I am willing to yield on hiring decisions when other priorities are clear.”

    Fair: “I will work really hard to hire people in my immediate field."

    Bad: “If I didn’t get my way when a job position was conceived, I will do everything in my power to sabotage this search. It’s better to have a failed search than for other people to have won a new hire.”

    Evil: “If a candidate wants this job, they better invite me to their hotel room during the campus visit.”

When Running a Meeting:

    Best: “I have a clear agenda and will get you out of here in an hour.”

    Fair: “The agenda is set, but everybody can speak their mind on whatever topic they desire. It’s fine with me if we have to spend the whole afternoon chatting.”

    Bad: “Was there a meeting scheduled today?”

    Evil: “Let me tell you what we already decided as a committee.”

When Attending a Meeting:

    Best: “I did my due diligence and read any pre-circulated materials before I arrived. I listen attentively and will give my opinion based on a well reasoned argument about the best needs of the unit.”

    Fair: “I didn’t really have time to read up on this particular issue. Still, I’ll go along with whatever the majority has to say.”

    Bad: “I would have attended this meeting, but I needed to wash my cat.”

    Evil: “I am only here to point out how much I really, really, really hate the chair of this meeting.”

When I find that I am in the minority on an issue facing the department:

    Best: “I will voice my opinion and give my reasons for objecting. In the end, though, I must have faith in democracy.”

    Fair: “I will withhold my opinion but then complain bitterly to colleagues over drinks later.”

    Bad: “I take this decision very personally. It shows that there is a larger conspiracy at play to take away my power and agency!”

    Evil: “I pack a gun.”

When advising students about what courses to take:

    Best: “I emphasize the strengths of the department. I also take some time to consider the particular interests of the student and their own career ambitions. My goal is always to give a student the widest range of perspectives that we offer.”

    Fair: “I am vaguely aware of what my colleagues teach, but, whatever. I guess that I wouldn’t actively dissuade a student from taking a class with another professor -- if that is what they really want to do.”

    Bad: “I take the time to trash all the colleagues in my unit that I dislike. A student should leave my office knowing that my department is nothing but a snake pit of dissension filled with people who aren’t half as smart as I am.”

    Evil: “I take the time to explain the power of the dark side of the force and invite the student to become my protégé. Together we can topple the department chair and rule together.”

When serving on a masters thesis or dissertation committee:

    Best: “I read the entire thesis/dissertation. My goal is to provide strategies for the student to revise the work to the best of hir abilities.”

    Fair: “I read the entire thesis/dissertation. My goal is to get this over with as soon as possible.”

    Bad: “I read some of the thesis/dissertation. My goal is to show that I personally know a lot more about this particular topic than the student.”

    Evil: “I plagiarized several chapters of this thesis/dissertation. Nonetheless, I will still vote to fail the student just because I can.”

During the summer:

    Best: “I drink a lot.”

    Fair: “I drink a lot.”

    Bad: “I drink a lot.”

    Evil: “I drink a lot.”

When a hardworking undergraduate student tells me that ze is applying for graduate school:

    Best: “I am supportive and offer to write a letter. Still, I do provide a candid assessment of the job market and encourage the student to think about the time, energy, money and effort that goes into obtaining an advanced degree.”

    Fair: “I write a letter of recommendation and wish the student well.”

    Bad: “I write a letter of recommendation but also frighten the student with horror students about the academic world. I cite the Center of Gravitas as evidence of academia's moral bankruptcy.”

    Evil: “I promise to write a letter of recommendation but never quite get around to it. I assure the student that, even if the job market is terrible, they will absolutely get a tenure-track job because they are the exception.”

When a colleague in my field publishes a book:

    Best: “I buy and read it.”

    Fair: “I send an e-mail of congratulations.”

    Bad: “Do I have colleagues in my field?”

    Evil: “I tell anyone who will listen that I would have written a much better version of that same book.”

When editing an academic journal:

    Best: “My goal is to give authors clear and concise feedback as quickly as possible. No journal can accept everything submitted, but I work really hard to be fair and prompt. I understand that my authors often have tenure and/or promotion pressures. Any delay only harms their research agendas and makes my journal look unprofessional.”

    Fair: “I farm out a lot of my duties and depend almost entirely on others’ opinions. Still, I aim for an initial turn around of six to eight weeks. After all, I have a basic competence in my job.”

    Bad: “I decide that my journal will devote itself to publishing many, many ‘Special Editions’ so that I can reward all my friends by printing their articles. Others can submit manuscripts, but they really shouldn’t hold their breath.”

    Evil: “I regularly sit on manuscripts for over a year and a half (or longer if I can!). When I do finally get around to making a decision, it’s usually a negative one. Heck, somebody has to teach these young scholars a cold hard lesson. If the author doesn’t like it, then they shouldn’t have bothered my prestigious journal with their pitiful article in the first place.”

My office:

    Best: “Is a place where I work quietly.”

    Fair: “Is a place where I meet students from time to time.”

    Bad: “Is a place where I can really turn up the volume on my music.”

    Evil: “Smells suspiciously of sulphur.”

When a colleague in my field comes up for tenure:

    Best: “I diligently read as much of the file as possible. During the meeting, I aim to make sure that every candidate gets a fair hearing by offering well informed insights on the research, service, and teaching.”

    Fair: “I read the cover letter to the file and dip in and out of the other materials. Unless there are clear problems, my default impulse is always to vote in favor of the candidate.”

    Bad: “I didn’t really have time to read the file. I’ll go to the meeting and try to get a sense of which way the wind is blowing and then make up my mind.”

    Evil: “I met with the candidate a full year before they went up for tenure to remind them that they needed my vote to advance. If they didn’t spend the past several months groveling, it’s curtains!”

The secretary/support staff in my unit:

    Best: “Are not paid nearly enough given that they do 90 percent of the heavy lifting! I support any effort to improve their working conditions.”

    Fair: “Do their job well and I acknowledge that.”

    Bad: “Are fine, but I don’t understand why they won’t pick up my dry cleaning.”

    Evil: “Should only be paid for nine months given that is the length of the academic year.”

If I had not become an academic, I would have:

    Best: “Found another avenue to share my knowledge and research with a wider public. My goal would always be to find a way to enrich our intellectual conversations.”

    Fair: “Found a job that allowed me to earn much more money.”

    Bad: “Run for public office as a Republican so that I could dismantle higher education as we know it.”

    Evil: “Harvested the souls of the innocent.”

The role model who influenced my career:

    Best: “The hardworking professors who took an interest in me as a student. They not only taught me the knowledge that I need for this job, but also what it means to be a committed educator.”

    Fair: “Wonder Woman.”

    Bad: “I did it on my own. Nobody ever helped me and I was always falling through the cracks.”

    Evil: “Pope Benedict XVI.”


When writing a book review for a journal:

    Best: “I highlight the strengths of the book and the author’s intent. I limit my critique to one or two questions at most. It is important to recognize the hard work that goes into writing any monograph.”

    Fair: “I offer faint praise, but conclude with criticism.”

    Bad: “Most of my review is simply critique about what the author might have written but didn't. I can only think of holes in the work and imagine an entirely different book than the one that I am reviewing.”

    Evil: “Every book review is just an opportunity to ruin somebody’s career.”

When a colleague passes me in the hall:

    Best: “I greet them and ask how they are doing.”

    Fair: “I smile warmly.”

    Bad: “I avoid eye contact.”

    Evil: “I make a distinctive rattling sound.”

Tuesday, June 26, 2012

A Jolly GayProf Fellow

Aging is usually something best done alone. Or maybe with a bottle of bourbon. Whatever the case, it’s hard to conceive that I will be 38 this week. Another year probably doesn't matter too much. Fortunately or unfortunately, my gravitas has always made me seem much older than I really am. People are always pleasantly surprised that I am so much younger than they initially think. It's sorta a compliment or something.

Speaking of gravitas, I am just not ready to part with my annual birthday post here at CoG. Who does not enjoy weighing their life accomplishments against others at the same age?
    At age 38, this is the year that I would publish The Native Tribes about the East Texas Missions if I were historian Herbert Bolton. It would be my last year teaching at the University of Texas.

    If I were Gore Vidal at age 38, I would be busy writing my novel Julian.

    If I were Don Draper, this is the year that I would start a new advertising agency (Sterling Cooper Draper Pryce). Reaching the age of 38 would also mean that this is the year that I would finally divorce Betty.



    If I were Elizabeth Cady Staton I would be working with Susan B. Anthony at the shortlived Woman’s State Temperance Society. We would both decide our efforts were better spent working on suffrage.

    If I were Cher at age 38, I would be filming Mask this year.

    If I were Frederick Jackson Turner, I would have delivered my career-defining “The Significance of the Frontier in American History” essay six years ago. History grad students everywhere would come to curse my name.



    According to traditional sources, I would use an asp to kill myself this year if I were Cleopatra VII.

    If I were Sam Steward, I would be working at World Book Encyclopedia after leaving Loyola University. I would also have my last drink this year.



    If I were Dolores Huerta, I would be seated on the platform while Robert Kennedy gave his last speech before being shot minutes later.

    If I were Rudolph Valentino, I would be dead. It would have been seven years since I had sex with Sam Steward in my hotel room.


    If I were James Baldwin, this is the year that I would publish the essay “Down at the Cross” in the New Yorker. It would have been six years since I wrote Giovanni’s Room.
    If I were Jimmy Stewart, I would star in It’s a Wonderful Life this year, a heartwarming picture about an ungrateful town that drives a man to suicide on Christmas Eve.

    If I were Lolita Lebrón, it would have been four years since I led an armed attack on the U.S. House of Representatives in the name of Puerto Rican independence.


    If I were 99 percent of the U.S. public, I would have no idea who Lolita Lebrón was.
    If I were Frances Parkman, it would be another four years before I published The Pioneers of France in the New World.

    If I were Rock Hudson, I would star in the forgettable A Gathering of Eagles this year. It would have been 17 years since I had sex with Sam Steward in a freight elevator at Marshall Field’s department store.


    If I were Malcolm X, I would declare that John F. Kennedy’s assassination was the “chickens coming home to roost.”

    If I were Pearl Bailey, I would release the album The Intoxicating Pearl Bailey this year.

    If I were Tennessee Williams, I would have just started my affair with Frank Merlo. It would last 14 years and ultimately be the longest lasting romantic relationship of my life.


    If I were Ann Bancroft, it would have been two years since (!) I played the role of Mrs. Robinson in The Graduate.

    If I were Vivian Leigh, I would win my second Academy Award for Best Actress for portraying Blanche DuBois in A Streetcar Named Desire. My mental health would be mighty precarious.

    If I were Danny Kaye, I would star in On the Riviera this year. My alleged affair with Laurence Olivier probably didn’t help Vivian Leigh’s mighty precarious mental health.


    If I were Abraham Lincoln, I would be serving in my only term in the U.S. House of Representatives. It would have been a decade since I started slaying vampires.

    If I were Marylin Monroe, I would be dead.

    If I were William Shatner, this would be my last season on the t.v. show Star Trek.

    If I were Oscar Wilde, I would be in the first year of my affair with Alfred “Bosie” Douglas. Things would not go well for me in that relationship...

    If I were Alfred “Bosie” Douglas, it would be another 29 years before I had sex with Sam Steward.

    If I were Lupe Vélez, I would be dead.



    If I were Alexander Hamilton, I would resign my position as Secretary of the Treasury because of a scandal involving an extra-marital affair. The story would have been more interesting if it had been with Sam Steward.

    If I were Gloria Steinem, this is the year that I would found Ms. magazine.

    If I were either of my parents at age 38, I would have three children. The oldest would be eighteen and the youngest would be eleven.

    If I were Mary Richards, I, and most of my friends, would have been fired from WJM last year.


    If I were Mitt Romney, I would hopefully never be President of the United States.

    If I were Jaqueline Kennedy, I would visit Cambodia as an official-unofficial ambassador for the United States at the age of 38.



    If I were Saint Anthony, I would be dead.

    If I were Michele Obama, I would be fabulous.

    If I were GayProf, I would have achieved tenure and promotion this year. My blog would have been updated so infrequently in the past year that two birthday posts would appear on the same page. I would never have had sex with Sam Steward.

    If I were Jayne Mansfield, I would be dead.

    If I were William Rufus King, I would be serving as a Senator from Alabama in Washington D.C. I would soon shack up with future President James Buchannan. Our relationship, among other things, would lead Andrew Jackson to give me the nicknames “Miss Nancy” and “Aunt Fancy.” I’m not sayin’, I’m just sayin’.


    If I were Dolly Parton, this is the year I would star in the regrettable Rhinestone with Sylvester Stallone.

    If I were teen heartthrob Corey Haimm, this is the year I would die.

    If I were Che Guevara, this is the year that I would arrive in Bolivia in a doomed effort to foment revolution.

    If I were Wonder Woman, I would age another 2,453 years before joining Patriarch’s world to fight crime.

Monday, June 18, 2012

Cursed Cursive

Several years ago I briefly dated a man with young children. Anybody who knows me can well imagine why that relationship did not last more than a few weeks. I feel about children the way Republicans feel about taxes. They might be necessary for the continuation of society, but whatever. That, though, is not the point of this post. What did stick with me from that dating experience was that he once mentioned that his daughter was not learning cursive writing in school. After all, he argued, they do everything on the computer now anyway. Why would they need such an antiquated skill? Living in the shadow of Decaying Midwestern Urban Center, I figured that this astounding news was just another local failing in an already pretty dismal school system. The antipathy that the rest of the nation feels for this region had now cost students the very ability to communicate on paper! Not only do we not deserve jobs or a well-maintained infrastructure, but it appeared that we also shouldn’t be able to jot down a grocery list with speed! It always feels good to have righteous indignation about the nation’s uncaring attitude toward the industrial Midwest.

The past year of teaching, however, revealed that this was no local anomaly. You see I taught the U.S. History survey for the first time in many years. Consider it the jury duty of the history professorate. Since I do my best to give even freshman students an idea of what professionals historians actual do, I often assign some significant amount of writing. I began to notice that students took an unusually long time to complete even the most basic in-class essay. Even a paragraph took what seemed like a century. Then I observed that each of them always submitted about a page of neatly block-printed prose. Each letter of each word seemed like it had been crafted with more attention than John Hancock’s signature on a forged ship’s manifesto. Well, if John Hancock had never learned cursive writing. It brought me back to what the former boyfriend had mentioned about his own children. Had we reached the point where students no longer even knew how to write cursive? Little did I know it was deeper than that.



It really did not cross my mind again for another several weeks. In the meantime, I had assigned a document reader of historical sources entitled American History Firsthand: Working with Primary Sources. This choice proved imperfect to be sure. After all, this careful collection of materials lacked a single document from any Latina/o – ever. Apparently the editors imagined that no such people existed in this country despite the fact that they are now the largest minority population. But I digress.

I selected this particular reader, despite its implicit anti-Latino bias, because of what it did do: mixing popular culture, visual, and political documents in one binding. It also reproduced those documents as closely as they might have appeared in an actual archive. This, I thought, simulated the work of actual historians without having to march all my students to an actual archive. After all, the idea of 170 students descending on a manuscript collection would make any archivist sweat more than Rick Santorum in a gay sauna.



The students in this class performed quite well and showed that they had smart and savvy skills. One day, though, when it came time to discuss a series of letters in the reader, they became oddly silent. After using up the usual bag of tricks to try and promote conversation, I asked them what was the deal? With some hemming and hawing, a lone brave student admitted that he couldn’t read the documents because they were in cursive. The rest of the students, happy that he had released the shameful truth, all agreed that the letters were unfathomable. This blew my mind. I mean, it was one thing to have never mastered writing cursive, but reading it was now out of the question? To be clear, too, I did not assign colonial-era documents written with the fluff and frills of old English. That mess could screw anybody up with all those "f's" that are really "s's". No, no. These were something written in the twentieth century with a clear and simple penmanship. I became curious and asked if they learned any cursive at all. They acknowledged that they spent a few days or so on it back in grade school. It was enough to learn a signature, but otherwise, why bother? They could type whatever they needed.



I suppose that there is a logic in the demise of cursive. When was the last time any of us wrote an actual letter to somebody? Anything longer than a sticky note is generally done on a computer. Yet, I can’t explain my unease that cursive is leaving the world.

It is peculiar that I should think such a thing since I have actually always struggled with my penmanship. In grade school I had only one Achilles heel to an otherwise spotless academic record. After all, I played well with others, never ran with scissors, and only occasionally ate library paste. Yet, my report card always listed a “carrottop” for handwriting. For those who did not attend Albuquerque Public Schools, a carrottop was this symbol: ^. It basically meant a “D”, but apparently educational theory in the 1980s suggested letter grades would be too demeaning to a third grader. A carrottop must have sounded so much more pleasant. It’s something you would give Peter Rabbit on his report card. Well, if Peter Rabbit’s future education hung precariously by a thread because he appeared functionally illiterate.

Forever after that point teachers would usually have only one complaint about my school work: “The boy’s handwriting is so messy and small that I almost went blind trying to read it.” It would not be until my freshman year in college that my handwriting improved dramatically. Oddly enough, it was a semester of Russian that turned things around quite a bit. While I can do nothing in that language other than ask directions to the Bolshoi theater, attempting to learn Russian had an odd side effect of transforming my penmanship. Having to learn an entirely new script meant that I also indirectly relearned how to write in cursive in English. This is not to say that I now write in calligraphy (I still field many complaints about my writing), but it is a vast improvement.



This peculiar knowledge about writing cursive puts an odd generational divide between my students and me. For instance, I will have to remember when I grade their papers to block print my comments. Oh, look at me, thinking they would actually read my comments on their papers! Silly, optimistic, GayProf. Nonetheless, it feels quite weird to have such a big gap between them and me. I am not that much older.

True, there are many other things that I do that would seem totally anachronistic to them as well. I proudly drive a car with a manual transmission – Anything else really isn’t really driving. I grill only with charcoal – Anything else isn’t barbequing, it’s just cooking outside. I still pay almost all my bills with actual checks – Anything else seems like a one-way path to identity theft. I therefore long ago accepted that I fell far behind in the social/technological world of my students. I would know if I was tweeting, right?

So it makes me a bit sad to think cursive is at as great a risk as Lindsay Lohan is for a relapse. If you remember this blog then you already know that I am more than a bit inclined to nostalgia. This morning’s coffee has already become a treasured bittersweet memory of something now gone.



The loss of cursive, though, really leaves me blue. It only speeds us even faster to becoming a cyborg nation. As much as I struggled with cursive, I do remember that learning it felt like a rite of passage on the way to adulthood. My mother always had to translate the notes or birthday cards that my grandparents sent in the mysterious scroll. Learning to write (even feebly) in the same manner felt the same as breaking the code of the Rosetta Stone to my nine-year old self. Now it appears that later generations will find the code forever locked to them.

Monday, August 15, 2011

Drunk Girls

Given my penchant for seventies television references, it might not surprise you that I am often a bit out of touch with contemporary popular culture. Still, because my gym pumps in the current top 20 on an endless cycle, I am able to at least identify songs that are circulating widely. Over the past few months, I have come to two conclusions. One, Fox is making a fortune off those Glee kids. Two, this country seems to prefer our young women to be drunk and reckless.

Numerous songs en vogue right now celebrate women consuming alcohol to the point of blacking out, hooking up, or hurling (not always in that order). Hadn’t thought about it? Take just a few examples off the top of my head. Ke$ha’s “Tik Tok” opens with lines that would make even the most seasoned AA sponsor grimace: “Before I leave, brush my teeth with a bottle of Jack/’Cause when I leave for the night, I ain’t coming back.” Drinking beer, Ke$ha later sings, gets the “dudes...lining up.” Only police intervention ends that girl’s good times.



One of Lady GaGa’s earliest hits similarly recounts being so bombed that she has little idea of where she even is. In “Just Dance,” GaGa has had so much to drink that she “can’t see straight anymore” and has little idea how her “shirt got turned inside out.” If one of my friends reached this state, my advice would be to return home and sleep it off. GaGa, however, suggests that it might be the perfect time to hook up with somebody dancing in the club “And now there’s no reason at all,” she warbles, “ why you can’t leave here with me.” Well, no reason except that the previous stanzas suggest that she is entirely likely to puke on whatever guy she is taking home. Some people are into that, I suppose.

Not surprisingly, Katy Perry most happily jumps onto this bacchanal bandwagon. After all, her first major hit “I Kissed a Girl” more than foreshadowed this trend. In that song, Perry implied that sexual desire between women need not be taken more seriously than bar flirtations and pillow fights. It was fun, the melody told us, for women to kiss each other as an “experimental game” as long as there was a boyfriend waiting in the wings. Of course, a stiff cocktail got things rolling as the first stanza informs us, “This was never the way I planned/Not my intention/I got so brave, drink in hand/Lost my discretion.”



One of her most recent hits, “Last Friday Night,” ditches the homoerotic themes. In their place are the allegedly fun times that girls can have by drinking to point of serious memory loss. Perry sings about a list of events that would make most people fear for their personal safety. She awakes, hung over, with a stranger in her bed and lewd photos posted on-line. She is uncertain whether she has a hickey or a bruise. If you think that this is going to lead her to the door of Betty Ford, think again. She promises that she will do it all again next Friday.



With all that drinking and amnesia going on, it’s not surprising that P!nk would have a song entitled “Sober” where she contemplates the problems of being a party girl. Now, of all the artists mentioned, I actually like P!nk. To my mind she is one of very few who attempts to put out feminist messages in the mainstream. It’s true that many of P!nk’s other songs celebrate drinking as much as Ke$ha or Perry. At least P!nk most often talks about men as getting in the way of her good times (e.g. “U + Ur Hand”) rather than as being the objective for getting sloshed. “Sober” offers much needed caution to being a party girl. The song opens with the statement that she doesn’t “wanna be the girl who laughs the loudest/Or the girl who never wants to be alone/I don’t wanna be that call at four o’clock in the morning/’Cause I’m the only one you know in the world that won’t be home.” Unlike Perry, P!nk acknowledges that drinking to the point of blacking out will lead to serious regret instead of giggles with your girlfriends.



As far as I can tell, no such genre exists for men on the radio. Of course songs produced by male artists occasionally mention liquor or other drugs, but they are rarely presented as the opening shot to a night of forgotten sex. So what are we to make of all these "drunk girls" on the radio? Songs about women drinking to abandon are part of a larger pattern, it seems to me, in which women’s sexuality/sexualities and agency have been constrained in mainstream popular culture. One need only think of the classless Girls Gone Wild series to see that the media has been conflating drunkenness with sexual availability. If young women must continue to navigate the age-old virgin/whore (“ho” in modern parlance) dichotomy, then the music they listen to today isn’t offering many healthy solutions. These songs suggest that women can have a good time and explore a variety of sexual opportunities, but only if they are not really in control of their faculties. Drinking to the point of being without inhibition isn’t about putting yourself into situations where you might be exploited (or even be in serious danger). Rather, these songs suggest that it is a path to being cool and finding sexual fulfillment. Not only is that absurdly false, I think, but it also undermines women’s real ability to make decisions about sex. Instead it upholds the horrible notion that women are the most desirable when they are almost totally passive (if not passed out entirely).

Wednesday, June 29, 2011

Yes, I am Getting Older Too

I find it hard to believe that I just finished my fourth year in Midwestern Funky Town. That’s one year longer than I survived in Texas. Yet, my time in Texas still feels like it was almost twice as long. Go figure.

The summer has technically just started, but the appearance of fireflies suggest that we are already halfway through the season in the north. The fireflies also means that it must be time to celebrate my birthday, some 37 years ago. Do take the time to fix yourself a cocktail and toast to my health. Probably I will live quite a long time -- unless I don’t. Whatever the case, I always like to take a moment each year to consider what other people were doing when they were my age:

    If I were Mary Richards at age thirty-seven, I would have moved to Minneapolis seven years ago. Although I would not know it, this would be my last year working at WJM.



    If I were Dolly Parton, this is the year that I would release “Islands in the Stream” with Kenny Rogers.

    If I were Kenny Rogers, this is the year I would release my first solo album. It would be another sixteen years before my disastrous foray into fast food.

    If I were Cher, this would be the year that my film career took off with the release of Silkwood. I would take the then-unknown Val Kilmer as my date to the Oscars. He would be 13 years my junior and sport a hideous mullet.



    If I were James Dean, I would be dead.

    If I were Luke Appling, the Chicago White Sox legend, I would be serving in World War II at age 37.

    If I were Pancho Villa, this is the year that I would attack the small town of Columbus, New Mexico. This action would transform me overnight into a villain in the eyes of most U.S. citizens.



    If I were the Roman Emperor Nero, I would be dead.

    If I were Chloë Sevigny, this is the year that I would have finished filming the series Big Love.

    If I were Captain Kirk, my five year mission “to explore strange new worlds; to seek out new life and new civilizations” would end.

    If I were William Shatner, I would have been playing Captain Kirk for two years.

    If I were Captain Picard, I would be serving as first officer of the U.S.S. Stargazer. It would be another 22 years before I took command of the Enterprise.



    If I were Patrick Stewart, I would have been a member of the Royal Shakespeare Company for eleven years. It would be another ten before I accepted the role of Captain Picard.

    If I were Jesus, I would be dead.

    If I were GayProf, I would be mediating on another failed romance. My blog, The Center of Gravitas, would barely be updated in its sixth year.

    If I were César Chávez, I would sign the one-thousandth member to the recently founded National Farm Workers Association. That organization would have fifty locals.

    If I were Marylin Monroe, I would be dead.

    If I were Martin Luther King, Jr., I would be campaigning to end slums in Chicago.

    If I were Noël Coward, I would produce my short play Still Life for the first time in London this year.



    If I were Paul Revere, my silversmith business would be struggling. It would be another three years before I rode through the night to warn Massachusetts colonists that the British regular army was mobilizing for a possible assault on Samuel Adams, John Hancock, and others at Lexington.

    If I were Sarah Palin, I would have absolutely no idea why Paul Revere was important to the U.S. War for Independence.

    If I were Princess Diana, I would be dead.

    In between nursing my polio stricken husband, I would write my first article (“Common Sense Versus Party Regularity) if I were Eleanor Roosevelt.

    If I were Blake Harper, I would retire from gay porn in three years. -- What? This isn't a blog for children.



    If I were Ellen Degeneres, I would be starring in my own sitcom (Ellen). It would be another two years before I publicly came out of the closet.

    If I were Oscar Wilde, I would pen “The Soul of Man under Socialism” this year.



    If I were Hernán Cortés, Malintzin (a.k.a. Doña Marina, a.k.a. “La Malinche”) would give birth to my son this year.

    If I were Michel Foucault, I would publish Birth of the Clinic this year.

    If I were either of my parents, I would already have three children. The oldest would be seventeen years old. The youngest would be ten years old.

    If I were Montgomery Clift, I would finish filming Raintree County with Elizabeth Taylor. It would be the first time the public saw my face after my car accident.



    If I were Derek Jeter, this would be the year that I hit my 3,000th hit (most likely).

    If I were Franklin Roosevelt, I would be the Assistant Secretary of the Navy. It would be another 14 years before I became President of the United States.

    If I were Paul Lynde, I would record a comedy album entitled Recently Released this year.

    If I were Mitt Romney, my insatiable greed would lead me to seek $37 million to co-found the private equity firm Bain Capital.

    If I were Wonder Woman, I would age another 2,454 years before joining Patriarch’s world to fight crime.

Monday, June 27, 2011

The World is Ready for You

Many of you have asked what I thought about the failed effort to bring Wonder Woman back to television. Well, some of you asked. Okay, one person mentioned it in passing. Still, given that I shamelessly stole this beloved character to be my on-line avatar, I have some thoughts.

For those of you who don’t slavishly follow the Amazon Princess, NBC recently rejected a pilot for a new Wonder Woman t.v. series. Produced and written by David E. Kelley, many people (including Lynda Carter) fully expected that it would be a slam dunk. Certainly the actor chosen for the role was plausible. The few details that have emerged about the script, though, suggest that it was a bit of a trainwreck. Making a new Wonder Woman show should not have been that hard, really. This country is currently obsessed with the superhero genre. It’s true that Diana isn’t the only one who has been screwed over (Poor Green Lantern! I can smell the suck from here.), but she sure doesn’t get much respect. Shortly following NBC’s rejection, DC comics announced that it planned to reboot the Wonder Woman comic yet again. Ol’ Superheroine-Number-One can’t catch a break these days. For reasons that remain a total mystery to me, neither DC comics nor Warner Brothers ever solicits my opinion about how to promote and protect their most important female hero. I have some ideas:

    1. Wonder Woman is a Feminist:

    For either comic book writers or television executives, the “f” word continues to make their brows sweat. This probably explains why Warner Brothers tapped the creator of Ally “Feminism is Dead” McBeal as producer for their most recent t.v. venture. Gee, who would have guessed that would fail?

    It’s fundamentally dishonest to develop a Wonder Woman project without feminism being a driving point of the story. Doing so would be like creating a t.v. show about the Tea Party without the crazy. When William Moulton Marston created the character in the 1940s, he included the radical notion that women were more than the intellectual equals of men. He feared that young girls were unfairly kept from realizing their true potentials and lacked the types of role models that abounded for boys in comics. True, he also had a bad habit of essentializing gender roles and some fairly bizarre notions that bondage could be a path to liberation (Paging Dr. Foucault, stat!). Still, for the middle of the twentieth century, any pop culture venue that showed women as both physically powerful and scientifically minded was a breakthrough.



    Since that time, most of Wonder Woman’s (male) writers have had a hard time trying to figure out what to do with the feminist bits. Either they forced her into traditionally subservient roles (e.g. they made her secretary for the Justice Society despite her being the most powerful member) or they made her into a psycho man-hater who played into the media’s favorite image of feminists as unreasonable and bitter. Needless to say that neither of these is acceptable.





    I can’t help but think that the fight for women’s equality has taken some huge steps backward over the past decade and a half. Personally, I put at least partial blame on the drivel created by David E. Kelley. The time is right for Wonder Woman to speak candidly about actual feminist goals.

    2. Everybody Wants Wonder Woman to Wear Her Original Costume

    Okay, I know the Playboy-bunny costume is sexist, absurd, and as practical as a wooden fire escape (See Number One Above). One doesn’t know if you should salute her or give her your drink order.

    The efforts at changing her costume, however, have not really solved the biggest complaints about the original. Slapping on some skin-tight trousers while keeping her in a cleavage popping bustier is a lame attempt to appease critics. It should have been a forgone conclusion, too, that her costume would not be made out of plastic. The costume designer from the failed pilot was an idiot:



    If Wonder Woman is going to inevitably be about T&A, then I say just own it and try to at least give her some dignity.

    Also, keep the eagle and ditch the stupid WW. If you have doubts that the eagle is cool, consider that DC comics could sue the Washington Capitals for copyright infringement. If a WW eagle is tough enough for a hockey team, then it certainly can do the job for Wonder Woman.




    3. Wonder Woman should never say the following lines of dialogue:

      “If you liked it, you shoulda put a ring on it.”

      “Capitalism sure seems like a fair and equitable economic system.”

      “I want a baby so badly that I see one dancing in my room at night.”

      "I just need to lose five more pounds."

      “Why are all the best men married or gay?”

      "I'm not a feminist, but . . ." (See Number One Above)
      “I can haz cheeseburger.”

      "The unrestrained mergers of banks, airlines, media, and telecommunications corporations has served consumers well."



      “When the going gets tough, the tough go shopping.”

      "The heterosexual nuclear family sure seems like a fair and equitable building block for society."

      “Follow me on Twitter.”

      “Cheesecake makes everything better.”

      "What do you think of my costume?"

      “The meek shall inherit the earth.”

      “Math is hard!”

      “Christianity sure seems like a fair and equitable religious system.”



    4. Wonder Woman Does Not Believe in Capital Punishment

    Wonder Woman might have some flaws in that she often solves violence with violence. Still, when push comes to shove (literally!), she will never kill anybody (except maybe Max Lord, but, hey, she had no choice). Given that the United States currently imagines its prison system as massive holding tanks and has no problem sending people to death, how radical would it seem for Wonder Woman to advocate that every person can be redeemed? Diana would likely imagine the current prison system as a symptom of a deeply flawed patriarchal society (See Number One Above). Instead, let's see a return of Reform Island!



    5. Wonder Woman is a Scientist First, a Warrior Second

    Diana first saved Steve Trevor’s life through her immense knowledge of science and medicine. Then she kinda got stuck saving his life all the time. Whatever the case, Wonder Woman is a thinker. Among the many quirky ideas held by Marston was the one that the Amazons attained their physical power through successfully tapping into their hidden intellectual gifts.

    Young women in this country are still not encouraged to pursue science related careers. Playing up this aspect of her character would go a long way to inspiring women to change this (See Number One Above).

    6. Wonder Woman Would Not Participate in, Much Less Profit from, the Subjugation of Other Women

    One of the most puzzling details about the failed Kelley pilot was that Wonder Woman was supposed to have run a cosmetic company. Maybe this came from a desire to do a product placement with the recent MAC line featuring the iconic hero? Other than that, I can’t think why anybody who knows anything about Wonder Woman would think that would make sense (See Number One Above). I mean, okay, she did once run a dress shop, but that was from a comic storyline that is best forgotten. We can debate on whether makeup is about liberation or repression for women (Heck, I am undecided), but it seems unlikely that somebody devoted to gender equality (See Number One Above) would be interested in taking money from women so that they could attract a man.

    Wonder Woman would be devoted to public service. First, she didn’t leave the comforts of her island, where she was a goddamn princess, just so that she could work for some faceless corporation. She left the island so that she could help patriarch’s world become better. Second, she would want a job that kept her informed about dangerous villains or international plots. It seems unlikely that such things would emerge during boardroom discussions about whether a new brand of lip gloss should be called "Cherry High."

    7. Bring Back the Greek Gods

    It might be sacrilege to some, but I was never a fan of George Pérez’s stint on Wonder Woman. No Diana Prince alter-ego just seems sad to me. Still, I will give him credit for drawing the Greek gods back into the mix. If Diana is almost indestructible in patriarch’s world, then she has to have somebody who can keep her on her toes. A god or two could do the trick. In the 1940s, it was a wager between Aries and Aphrodite that sent Wonder Woman into man’s world after all. Aphrodite argued that love could triumph over war (See Number One Above).



    8. Doctor Psycho is a Plausible Villain

    Some people argue that Wonder Woman lacks a decent rogues gallery. This just isn’t so. Why is Cheetah somehow lame, but Catwoman cool? They are basically the same character.

    Regardless, the most interesting villain (aside from maybe Orana or Artemis) has to be Doctor Psycho. In lots of ways, he is the total opposite of Diana: insecure, cruel, and misogynistic (See Number One Above). His telepathic abilities make him a dangerous foe for somebody as powerful as Wonder Woman (I’m told one of the hardest parts of writing in the superhero genre is figuring out how to keep the threat real). The ideological divide between the two characters would make their battles all the more compelling. Who will win in the final throw down between the feminist (See Number One Above) or the misogynist?



    9. Wonder Woman is a Fish Out of Water

    Wonder Woman first achieved popularity, I think, because she offered an inverted mirror through which the U.S. could view itself. A smart writer would play up those aspects. That same writer would point out the foibles of our society as seen through a foreigner’s eyes.



    The most immediate difference is that Diana never interacted with a patriarchal society (See Number One Above). Actually, she literally never interacted with a patriarch at all given that she had no father (She was formed out of clay by her mother, for those whose comic history is a little rusty). Her responses to the pervasive problems of our society could range from bemusement to impatience. Then, of course, there is the story line of her grappling with her feelings for Steve Trevor. This would be difficult for her because. . .

    10. Wonder Woman was Raised by Lesbians!

    Alright, there has never been anything to make this canonical. Still, wouldn’t that be a great story line that makes some sense? She is part of a society of women who had little use for the company of men. They lived quite happily for two thousand years until some guy showed up. How confused would the rest of the island be by the princess’s sexual interest in a man? Indeed, wouldn’t a few of them think of it as a bit perverted? Think of the immortal words of Queen Hippolyta, “I named this island ‘Paradise’ for an excellent reason. There are no men on it.” Suffering Sappho! I’m not sayin’, I’m just sayin’.